It also seems that OZZY’s drug and alcohol abuse had taken an irreparable toll by this point in his career possibly leading to a creative burn out. While retaining the respect as the Godfather of metal all throughout the 90s and beyond, “NO MORE TEARS” in reality symbolizes a peak in OZZY’s career with the erratic release of the albums that follow seeming more like occasional side projects rather than works of passion.
While it took exactly a decade to completely transcend the Rhoads years, OZZY OSBOURNE pulled off the seemingly impossible task on “NO MORE TEARS” which not only displays a willingness to incorporate influences beyond the metal comfort zone of the day but also comes off as one of the Madman’s most mature albums of his entire canon. The track is by far one of the most popular ones in the post Randy Rhoads era. The track employs an interesting art rock synthesized bridge that leads up to a ratcheting up effect that leads to one of the best guitar solos on the entire album. The longest track of OZZY’s career perfectly balances a call and response between a bass / vocal line with the heavy guitar in the verse sections with an atmospheric overload on the chorus. Although the album has no throwaway tracks, the star of the show is by far the outstanding title track which utilizes a bass heavy rhythmic drive with an ethereal atmospheric accompaniment. Tintertrain,” “Hellraiser” and “Zombie Stomp” and the slower ballads “Mama, I’m Coming Home,” “Time After Time” and “Road To Nowhere.” It’s on the slower tracks where Zakk Wylde really cranks up the Southern flavors of country rock on the acoustic guitar and unlike many of the ballads of OZZY’s 80s albums, these were superbly crafted with special attention placed on lyrical relevance and tightly delivered instrumental dynamics. There are the heavy metal crunchers like “Mr. “NO MORE TEARS” basically falls into two categories of tracks, well three if you count the title track which sounds like nothing else OZZY has ever recorded. This includes Randy Castillo on drums, Bob Daisley on bass and John Sinclair on keys, however both Castillo and Daisley would jump ship after “NO MORE TEARS” leaving OZZY with yet another dilemma of finding suitable musicians to fill the slots, however after three years of perfecting a new album and a lengthy tour of the last album that even resulted in a short live EP titled “Just Say Ozzy,” this stability of the lineup yielded some interesting results on this one. Also a strength for the album is one of the rare examples of a stable lineup in OZZY’s band with the entire cast of “No Rest For The Wicked” back for another round of heavy metal mayhem. On “NO MORE TEARS” the emphasis is on the strength of the tracks themselves that utilize strong hooks, heavy guitar riffing and more attention paid to contrasting dynamics, tempo changes and even adds some country rock aspects that Wylde brought to the work table. While Randy Rhoads was an excellent songwriter, the focus was placed on his neoclassical guitar shredding skills. “NO MORE TEARS” is by far, OZZY’s most eclectic and diverse album of his career which makes it a compelling listen even to modern ears. None of these extra efforts were in vain and “NO MORE TEARS” became a huge hit not only spawning a number of popular videos but also hit the quadruple platinum mark making it his best selling album just after the debut “Blizzard Of Ozz.” The result of all this was his sixth studio album “NO MORE TEARS” which found the Madman cleaning up his bad boy image (notice the angel wings on the cover), as well as turning to outside songwriters like Motörhead’s Lemmy Kilmister as well as the new style of Wylde’s contributions.
ROAD TO NOWHERE OZZY OSBOURNE CHORDS FULL
OZZY took a full three years to reinvent himself and work on the potentials of the new lineup. With Lee, OZZY was somewhat stagnant and couldn’t quite shake the Rhoads loss, but Wylde added a new style of guitar playing that eschewed the neoclassical Rhoads elements and created more of a bluesy metal with touches of country rock and took OZZY’s sound in a new direction. With 1988’s “No Rest For The Wicked,” the Madman had found the perfect new sidekick Zakk Wylde to take over the guitar slot after the departure of Jake E. It had been almost a decade since OZZY OSBOURNE’s career was in dire straits after the sudden death of his revolutionary guitarist Randy Rhoads but he bounced back and maintained a successful solo career all throughout the 80s.
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